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'Charity Bazaar Fire: Result of the trial', Liverpool Mercury, Wed. 25th August 1897.
'Cinematograph Scare at Morecambe', Liverpool Mercury, Tues. 23rd May 1899.
'Dramatic Notices', Liverpool Mercury, Mon. 3rd July 1899.
'Evening Party', Cambridge Independent Press, Friday 24 March 1893.
'Garden Party at Oaklands: the Liverpool Geographic Society', Liverpool Mercury, Mon. 26th July 1897.
'La Théorie de la relativité: séance du 6 avril 1922', Bulletin de la Société française de philosophie 22 (3) (1922), pp. 91-113.
'Local News', Liverpool Mercury, Fri. 19th March 1897.
'Local News', Liverpool Mercury, Fri. 19th May 1899.
'Local News', Liverpool Mercury, Mon. 15th May 1899.
'Local News', Liverpool Mercury, Thurs. 13th July 1899.
'Local News', Liverpool Mercury, Thurs. 6th July 1899.
'Local News', Liverpool Mercury, Tue 16th Feb 1897.
'Opportunity Knocks,' Reynolds News, 2 October, 1949.
'Panic in a Chapel: Fire caused by a cinematograph', Liverpool Mercury, Mon. 4th October 1897.
'Paris Bazaar Fire: the Mackau Trial', Liverpool Mercury, Sat. 21st August 1897.
'Paris Fire', Liverpool Mercury, Thurs 6th May 1897.
'Reynolds' Easter Novelties', Liverpool Mercury, Thurs. 15th April 1897.
'The Cinematograph and Astronomy', Liverpool Mercury, Sat. 25th December 1897.
'The Nuffield Centre,' The Times, 5th Nov. 1952, p. 11.
'The Paris Disaster', Liverpool Mercury, Mon. 17th May 1897.
A. Dodd et. al., 'Introduction', in L.E. Thorsen, et. al. (eds), Animals on Display: the Creaturely in Museums, Zoos, and Natural History. 2013. pp. 1-11.
A. Einstein to M. Schlick, 28th April 1922.
A. Einstein to M. Wertheimer, 30th Sept. 1922.
A. Einstein to M. Wertheimer, c.16th-30th May 1920.
A. Sedgwick. J.W. Clark and T. McKenny Hughes, The Life and Letters of the Reverend Adam Sedgwick (Cambridge; University Press, 1890).
A.A. Herzen (trans. T.W. McDowell), 'The Physical Conditions of Consciousness', The British Journal of Psychiatry 30 (129) (1884), pp. 41-53.
A.A. Kanthack, 'The Psychical and Ethical Effects of Tragedy', University College Magazine [Liverpool] (1886), pp. ??
Adam Dodd, 'Popular Entomology and Anthropomorphism in the Nineteenth Century: L.M. Budgen's Episodes of Insect Life', in Thorsen et. al., Animals on Display (2013), pp. 153-175.
Advertisements & Notices, Liverpool Mercury, Wed. 7th April 1897.
Albert Payson Terhune, A Book of Famous Dogs (New York, 1937).
Alfred Berbou, Le chien (Paris, 1883).
Alfred, Lord Tennyson, In Memoriam A.H.H. 1850.
Algernon Charles Swinburne, Atalanta in Calydon. 1865.
Algernon Charles Swinburne, Under the Microscope. London, 1872.
Alice Carey, Clovernook; or, Recollections of Our Neighbourhood in the West (New York, 1852).
Amis et Amiles
Anne of Brittany (illus. Jean Bourdichon), Les Grandes Heures d'Anne de Bretagne. c. 1503-1508.
Anon. Le Chanson de Roland. c. 1040-1115.
Arsène Houssaye, Histoire de Léonard de Vinci. 1869.
Aucassin et Nicolette
August Rösel von Rosenhof, Monatlich herausgegebene Insecten-Belustigung (Nuremberg, 1746-1761).
Auguste Comte (H. Martineua trans.), The Positive Philosophy of Auguste Comte. 1853 [1830-1842].
B. Latour, 'Some Experiments in Art and Politics', E-Flux 23 (March 2011).
B. Latour, 'Trains of Thought: The Fifth Dimension and its Fabrication: in A.N. Perret-Clermont et. al. (eds.), Thinking Time: A Multidisciplinary Perspective on Time (Cambridge, MA: Hogrefe and Hupher, 2005), pp. 173-187.
Baruch Spinoza, Ethics. 1677.
Blaise Pascal, Pensées. 1669.
Brian Ogilvie, 'The Pleasure of Describing: Art and Science in August Johann Rösel von Rosenhof's Monthly Insect Entertainment', in Thorsen et. al., Animals on Display (2013), pp. 77-100.
Brita Brenna, 'The Frames of Specimens: Glass Cases in Bergen Museum Around 1900', in Liv Emma Thorsen, et. al. (eds), Animals on Display: the Creaturely in Museums, Zoos, and Natural History. 2013. pp. 37-57.
C. Cadwalladr, 'Google is not ‘just’ a platform. It frames, shapes and distorts how we see the world', The Observer, Sunday 11th Dec. 2016.
C. Cadwalladr, 'Google, Democracy and the Truth about Internet Search', The Observer, Sunday, 4th Dec. 2016.
C. Ramalingam, 'Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics', Science in Context 28 (3) (2015), pp. 317-355.
C. Ramalingam, 'The Most Transitory of Things: Talbot and the Science of Instantaneous Vision', in William Henry Fox Talbot: Beyond Photography (Yale University Press, 2013), pp. 245-268.
C.M. Doughty, Travels in Arabia Deserta (Cambridge; University Press, 1888)
Carl Akeley, In Brightest Africa (New York, 1923).
Carlo Amoretti, Memorie storiche sulla Vita, gli Studi at le Opere del Leonardo da Vinci. Milan, 1804.
Charles-Augustin Sainte-Beuve, Anciens Poètes français - Joachim du Bellay. Revue des Deux Mondes 24, 1840.
Charles-Augustin Sainte-Beuve, Oeuvres françoises de Joachim de Bellay, avec une notice biographique et des notes par M. Ch. Marty-Laveaux, Le Constitutionel, Apr-Aug 1867.
Charles-Augustin Sainte-Beuve, Review of Joachim dy Bellay (Charles Marty-Laveaux, ed.), Ouvres françoises. Journal des Savants, August 1867.
Christina Walter, Optical Impersonality: Science, Images, and Literary Modernism (John Hopkins University Press: Baltimore, 2014).
D. Cahan, 'Helmholtz in Gilded-Age America: The International Electrical Congress of 1893 and the Relations of Science and Technology', Annals of Science 67 (1) (2010), pp. 1-38.
D. Fitzgerald and F. Callard, 'Social Science and Neuroscience beyond Interdisciplinarity: Experimental Entanglements', Theory, Culture & Society 32 (1) (2015), pp. 3-32.
D. Hyder, 'Foucault, Cavaillès, and Husserl on the Historical Epistemology of the Sciences', Perspectives on Science 11 (1) (2003), pp. 107-129.
D. Sutton, ''The suppleness of everyday life': CGI, the Lumières, and Perception after Photography', in J. Lyons and J. Plunkett (eds.), Multimedia Histories: From the Magic Lantern to the Internet (University of Exeter Press: Exeter, 2007), pp. 18-30.
D.H Galaty, 'The Philosophical Basis of Mid-Nineteenth-Centruy German Reductionism', Journal of the History of Medicine and Allied Sciences 29 (3) (1974), pp. 295-316.
Dante Aligheri, Divina Commedia. c.1308-1321.
Dante Alighieri (trans. Dante Gabriel Rossetti), Vita Nuova, London c.1861 [c.1295].
E. Schmidt and J. Cohen, The New Digital Age (New York: Vintage (Penguin Random House), 2013).
E.A. Lawrence, 'The Sacred Bee, the Filthy Pig, and the Bat out of Hell: Animal Symbolism as Cognitive Biophilia', in S.R. Kellert and E.O. Wilson (eds), The Biophilia Hypothesis. 1993. pp. 301-341.
E.L. Milam, 'Review of Animals on Display: The Creaturely in Museums, Zoos, and Natural History'. Isis, 105 (4) (2014), pp. 835–836.
Edgar Quinet, Les Révolutions d'Italie. 1848.
Edward Carpenter, Civilization: its cause and cure, and other essays. 1889.
Edward Carpenter, Pagan and Christian Creeds: their origin and meaning. c.1920.
Ernest Renan, Averroès et l'averroïsme. 1852.
Francis Bacon, Novum Organum Scientiarum. 1620.
Francis Bacon, The Great Instauration. 1620.
Fridtjof Nansen, Farthest North (London, 1897)
Friedrich Meisner, Alpenrosen (1816)
Friedrich Wilhelm Nietzsche, Beyond Good and Evil: prelude to a philosophy of the future. 1886.
G. Woodward, 'Electricity in Victorian Liverpool 1851–1901', Engineering Science & Education Journal 1 (4) (1992), pp. 183-191.
Geoffrey Chaucer, The Canterbury Tales
Georg Wilhelm Friedrich Hegel, Vorlesungen über die Ästhetik. c. 1835.
George Bernard Shaw, Back to Methusela. 1921.
Giorgio Vasari, Le Vite de' più eccellenti pittori, scultori, e architettori da Cimabue insino a' tempi nostri. 1550.
Giovanni Batista Venturi, Essai sur la Ouvrages Physico-Mathématiques de Léonardo da Vinci. 1797.
Giovanni Boccaccio, The Decameron: Prince Galehaut. c. 1351.
Giovanni Francesco Pico della Mirandola, Oratio Iannis Pici Mirandulani concordiae comitis. 1486
Giovanni Pico della Mirandola, Heptaplus de septiformi sex dierum Geneseos enarratione. 1489.
Gotthold Ephraim Lessing, Laokoön: oder über die Grenzen der Malerei und Poesie. 1766.
Guro Flinterud, 'Polar Bear Knut and His Blog', in Thorsen et. al., Animals on Display (2013), pp. 192-213
H-J. Rheinberger, Toward a History of Epistemic Things: Synthesizing Proteins in the Test Tube (Stanford: University Press, 1997).
H. Bergson (trans. F.L. Pogson) Time and Free Will: An Essay on the Data of Consciousness (London: George Allen and Unwin, 1910 [1889]).
H. Bergson, 'The Perception of Change', in H. Bergson (trans. M.L. Andison, The Creative Mind: An Introduction to Metaphysics (New York: The Philosophical Library, 1946), pp. 153-186.
H. Bergson, (trans. R. Durie and M. Lewis), Duration and Simultaneity: Bergson and the Einsteinian Universe (Manchester: Clinamen Press, 1999).
H. Münsterberg, The Photoplay: a Psychological Study (New York and London: D. Appleton, 1916).
H. Spencer, The Principles of Biology (2nd ed.) (London, 1899 [1864])
H.A. Wedgwood (H.E. Litchfield, ed.), The Bird Talisman: An Eastern Tale (Cambridge; University Press, 1887 [c. 1852]).
H.G. Wells, Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought. 1901.
H.S. Hughes, Consciousness and Society: The Reorientation of European Social Thought, 1890-1930 (Brighton: Harvester Press, 1979).
H.W. Steed, ‘Aerial Warfare: Secret German Plans’. The Nineteenth Century and After, 116 (7) (1934), pp. 1–16.
Heinrich Heine, 'Les Dieux en Exil', Revue des Deux Mondes, 1853.
Henry McGhie, 'Images, Ideas, and Ideals: Thinking with and about Ross's Gull', in Thorsen et. al., Animals on Display (Penn. University Press, 2013), pp. 101-127.
Herbert Spencer, The Principles of Biology (London and Edinburgh, 1864).
Herbert Spencer, The Principles of Psychology (London, 1855).
Herman Grimm, Leben Michelangelo's. 1860-1863.
Herodotus, Histories. c. 460-420 BC.
J. Albright,'The #Election2016 Micro-Propaganda Machine', Medium, 18th Nov. 2016.
J. Canales, 'Desired Machines: Cinema and the Word in its Own Image', Science in Context 24 (3) (2011), pp. 329-359.
J. du Bellay (trans.). The Aeneid. 1552-1556.
J. Essex (W.M. Fawcett, ed.) Journal of a Tour Through Part of Flanders and France in August, 1773 (Cambridge, 1888).
J.B.S. Haldane, Possible Worlds and Other Essays. 1928.
Javier Pes, 'A World Vision: Ralph Appelbaum', Museum Practice 25 (spring 2004), pp. 30-33.
Jean-Jacques Rousseau, Confessions. 1782.
Joachim du Bellay, Antiquités de Rome. 1558.
Joachim du Bellay, Défense et Illustration de la Langue Française. 1549.
Joachim du Bellay, Divers Jeux rustiques. 1558.
Joachim du Bellay, L'Olive. 1549.
Joachim du Bellay, Regrets. 1558.
Johann David Passavant, Raffael von Urbino und sein Vater Giovanni Santi. 3 Vols, 1839-1858.
Johann Joachim Winckelmann, Gedanken über die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. 1755.
Johann Joachim Winckelmann, Geschichte der Kunst des Alterthums. 1764.
Johann Kaspar Lavater, Physiognomische Fragmente zur Beförderung der Menschenkenntnis und Menschenliebe. 1775-1778.
Johann Wolfgang von Goethe et. al. Winckelmann und sein Jahrhundert : In Briefen und Aufsätzen. Zübingen, 1805.
Johann Wolfgang von Goethe, Die Leiden des jungen Werthers. 1774.
Johann Wolfgang von Goethe, Elective Affinities. 1809.
Johann Wolfgang von Goethe, Faust. 1808-1831.
Johann Wolfgang von Goethe, Goethe's Werke. Tübingen, 1815-1819.
Johann Wolfgang von Goethe, Iphigenia auf Tauris. 1787.
Johann Wolfgang von Goethe, Italiänische Reise. 1816-1817.
John Berger, About Looking. 1980.
John Henry Newman, An Essay on the Development of Christian Doctrine. 1845.
John Keats, Endymion. 1818.
John Murdoch, 'An Historical Notice on Ross's Gull,' Auk 16 (2) (1899), pp. 146-155
John Symonds, Twenty-Three Sonnets of Michael Angelo. Contemporary Review, September 1872.
Joseph Joubert, Recueil des Pensées de M. Joubert. Paris, 1838.
Jules Michelet, Histoire de France. 1855.
Julius Caesar (A.G. Peskett, ed.), Gai Iuli Caesaris Commentariorum de bello civili (Cambridge; University Press, 1890)
Karen Rader, 'Interacting with The Watchful Grasshopper; or, Why Live Animals Matter in Twentieth-Century Science Museums', in Thorsen et. al., Animals on Display (2013), pp. 176-191.
Karl Friedrich Hermann, Lehrbuch der gottesdienstlichen Altertümer der Griechen. 1845.
Kate Sanborn, Educated Dogs of Today (Boston, 1916).
Knut's Blog
L. Blackman, 'Affect and Automaticity: Towards an Analytics of Experimentation', Subjectivity 7 (4) (2014), pp. 362-384.
L. Bull, 'La chronophotographie des mouvement rapides', Travaux de l'association l'Institut Marey 2 (1910), pp. 51-75.
L. M. Budgen, Episodes of Insect Life (3 vols.) (London, 1849-51).
L. Molaud and C. d'Henault (trans.) Li amitiez de Ami et Amile. Nouvelles du xiiie siecle. Paris, 1856.
L.A. Fox, 'Bacterial Warfare: The Use of Biologic Agents in Warfare', The Military Surgeon 90 (5) (1942 [1933]), pp. 563-579.
Lise C. Ruud, 'Six Monstrous Pigs: Animal Monsters and Museum Practices in the Eighteenth-Century El Real Gabinete de Historia Natural', in Liv Emma Thorsen, et. al. (eds), Animals on Display. 2013. pp. 15-36.
Liv Emma Thorsen, 'A Dog of Myth and Matter: Barry the Saint Bernard in Bern', in Thorsen et. al., Animals on Display (2013), pp. 128-149.
Livy (trans. H.M. Stephenson), The History of Rome. Book IV. (Cambridge; University Press, 1890).
Lorraine Daston and Gregg Mitman, 'Introduction', in Daston and Mitman (eds.) Thinking with Animals: New Perspectives on Anthropomorphism. 2005. pp. 1-14.
M. Antliff, Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (Princeton: University Press, 1993).
M. Norton Wise, 'Making Visible', Isis 97 (1) (2006), pp. 75-82.
M. Wertheimer to A. Einstein, 15th May 1920.
M. Wertheimer to A. Einstein, 17th Sept. 1922.
M. Wertheimer to A. Einstein, 19th Sept. 1922.
M. Wiltshire, 'Songs from a Wheelchair', Daily Mail, Tuesday 24th Aug. 1954.
M.A. Gilles, Henri Bergson and British Modernism (Montreal: McGill-Queen's University Press, 1996).
Madame de Staël, De l'Allemagne. 1810.
Maria Sibylla Merian, Metamorphosis insectorum surinamensium (Amsterdam, 1705).
Marsilio Ficino, Platonis Opera Omnia. 1484.
Matteo di Marco Palmieri, Città di vita. c.1465.
Michel de Montaigne, Essais. 1580.
Michelangelo (C Guasti, ed.), Rime. 1863 [c. 1542-1623].
Michelangelo (Michelangelo Buonarotti the Younger, ed.), Rime. c. 1542-1623.
N. Hawkins, Hawkins electrical guide: questions, answers & illustrations (New York, 1917)
Nigel Rothfels, 'Preserving History: Collecting and Displaying in Carl Akeley's In Brightest Africa', in Thorsen et. al., Animals on Display (2013) pp. 58-73.
P. Amad, Counter-Archive: Film, The Everyday, and Albert Kahn's Archives de la Planète (New York: Colombia University Press, 2010).
P. Watt, 'A Gigantic and Popular Place of Entertainment: Granville Bantock and music-making at the New Brighton Tower in the late 1890s', Royal Musical Association Research Chronicle 42 (1) (2009), pp. 109-164.
P. Waugh, 'Afterword: Evidece and Experiment', in A. Whitehead and W. Woods (eds) The Edinburgh Companion to the Critical Medical Humanities (Edinburgh: University Press, 2016), pp. 153-160.
Paul Scheerbart, Glasarchitektur (Berlin, 1914).
Percy Bysshe Shelley (M. Shelley ed.), Posthumous Poems of Percy Bysshe Shelley. London, 1824.
Peter Scheitlin, Versich einer vollstandigen Thierseelenkunde (Stutgart and Tubngen, 1840).
Philip Henry Gosse, The Romance of Natural History (London, 1860).
Pierre de Ronsard, Les Amours. 1553 [1552].
Pierre de Ronsard, Les Quatre premiers livres des odes de Pierre de Ronsard. c. 1550.
Plato, Phaedrus. c. 370 BC.
Plato, The Republic. c. 380 BC.
R. Epstein and R.E. Robertson, 'The Search Engine Manipulation Effect (SEME) and Possible Impact on the Outcomes of Elections', Proceedings of the National Academy of Sciences, 112 (33) (2015), pp. E4512-E4521.
R. Koeck, 'Liverpool in film: J.A.L. Promio’s cinematic urban space', Early Popular Visual Culture 7 (1) (2009), pp. 63-81.
R. Shields, The Virtual (London: Routledge, 2003).
R.C. Grogin, The Bergsonian Controversy in France, 1900-1914 (Calgary: University Press, 1988).
R.T. Gunther, A History of the Daubeny Laboratory, Magdalen College, Oxford (Oxford University Press; London, 1904).
Raphaël Trichet du Fresne, Trattato della pittura di Lionardo da Vinci. Paris, 1651.
Rémy Belleau, La Bergerie. c. 1565-1572.
Reports on cinematography in the Liverpool Mercury (c. 1895-1902)
Richard M. Bucke, Cosmic Consciousness: a study in the evolution of the human mind. 1901.
Robert Browning, Dramatis Personæ. 1864.
S. de Chadarevian, 'Graphical Method and Discipline: Self-Recording Instruments in Nineteenth-Century Physiology', Studies in History and Philosophy of Science Part A 24 (2) (1993), pp. 267-291.
S. Holmes, '‘You Don't Need Influence … All You Need is Your First Opportunity!’: The Early Broadcast Talent Show and the BBC', Critical Studies in Television 9 (1) (2014), pp. 23-42.
S. Schaffer and S. Shapin, Leviathan and the Air Pump (Princeton: University Press, 1985)
S. Schaffer, 'A Science Whose Business is Bursting: Soap Bubbles as Commodities in Classical Physics', in L. Daston (ed.), Things that Talk: Object Lessons from Art and Science (New York: Zone Books, 2004), pp. 147-192.
S. Schaffer, 'Late Victorian Metrology and its Instrumentation: A Manufactory of Ohms', in R. Bud and S.E. Cozzans (ed.) Invisible Connections: Instruments, Institutions, and Science (Bellingham: SPIE Press, 1991), pp. 23-56.
S.D. Brown, 'Experiment: Abstract Experimentation', in C. Lury and N. Wakeford (eds.) Inventive Methods: The Happening of the Social (London and New York: Routledge, 2012), pp. 61-75.
Samuel Alexander, Space, Time, and Deity (II Vols.). 1920.
Samuel Taylor Coleridge, Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. 1817.
Samuel White Baker, The Rifle and the Hound in Ceylon (London, 1854).
Sophocles (trans. R.C. Jebb), Philoctetes (Cambridge; University Press, c.1890 [409 BC])
T. Gunning, 'The Cinema of Attraction[s]: Early Film, The Spectator, and the Avant Garde', in W. Strauven (ed.), The Cinema of Attractions Reloaded (Amsterdam: University Press, 2006), pp. 381-388.
T. Quick, 'Review of Animals on Display: The Creaturely in Museums, Zoos, and Natural History', Cultural History 4 (2) (2015), pp. 221-223.
Theodore Roosevelt, African Game Trials (New York, 1910)
Thomas Grey, Elegy Written in a Country Churchyard. 1751.
Thomas Hobbes, De Cive. Paris, 1642.
Thomas More, Life of John Picus. c. 1510.
Victor Hugo, Le Dernier Jour d'un condamné. 1832.
Victor Hugo, Les Miserablés. 1862.
Victor Hugo, Les Travailleurs de la Mer. 1866.
Victor Hugo, Notre-Dame de Paris. Paris, 1831.
Voltaire, Dictionnaire Philosophique. 1764.
W. Ridgeway, The Origin of Metallic Currency and Weight Standards (Cambridge; University Press, 1892)
W.K. Clifford to The Pall Mall Gazette - 24 June 1868, in W.K. Clifford, (L. Stephen and F. Pollock, eds.) Lectures and Essays by the Late William Kingdon Clifford, F.R.S. (London and New York, 1886), pp. 72-73.
W.K. Clifford, 'On Some of the Conditions of Mental Development', in W.K. Clifford, (L. Stephen and F. Pollock, eds.) Lectures and Essays by the Late William Kingdon Clifford, F.R.S. (London and New York, 1886), pp. 49-73.
Walt Whitman, Democratic Vistas. c. 1870.
Walter Benjamin, 'Experience and Poverty', in Benjamin, Selected Writings: Vol. 2 (1927-1934) (Cambridge, University Press; 1999), pp. 731-736.
Walter Pater, Studies in the History of the Rennaissance. 1873.
William Kingdon Clifford, Lectures and Essays (2 Vols.). London, 1879.
William Morris, News From Nowhere. 1890.
William Shakespeare, Macbeth. c. 1606.
William Shakespeare, The Tragedy of Hamlet, Prince of Denmark. c.1600.
William Wordsworth, Poems, in Two Volumes
William Youatt, The Dog (Philadelphia, 1852).
Xenophon, Symposium. c. 360 BC.
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