Cited by T. Quick, 'Disciplining Physiological Psychology: Cinematographs as Epistemic Devices, 1897-1922', Science in Context 30 (4), pp. 423-474.
Description:

'Bergson's philosophy was not, as has been all-too-frequently assumed, simply the product of a great mind operating apart from the material and cultural contexts in which it existed. Rather, it drew on and inspired a range of claims and practices relating to the interrogation and apprehension of nature that have recently begun to be re-appraised by humanities and natural science scholars alike (e.g. Mullarky 1999; Lefebvre and White 2012; Mullarky and de Mille 2013; Normandin and Wolfe 2013).'

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