'Recent work on the relation between cinematography, physiology, and psychology has highlighted ways in which appeal to the recording and projection of imagery accompanied a re-conceptualization of scientific objects: where pictorial and photographic visualization had fixed and stabilized organisms, cinematographic recording demonstrated their motility and mutability (Cartwright 1995, esp. 20–29; Winter 2004; Landecker 2006; idem 2011; Schmidgen 2012).' (426)