T. Gunning, 'The Cinema of Attraction[s]: Early Film, The Spectator, and the Avant Garde', in W. Strauven (ed.), The Cinema of Attractions Reloaded (Amsterdam: University Press, 2006), pp. 381-388.

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Created by Tom Gunning
1986
Cited by T. Quick, 'Disciplining Physiological Psychology: Cinematographs as Epistemic Devices, 1897-1922', Science in Context 30 (4), pp. 423-474.
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'As historians of cinematography have noted, 'the' cinematograph has never existed as such. Rather, a range of illusion-generating mechanisms emerged during the nineteenth century, and culminated in the production of various means by which successive images might be inscribed and displayed (Mannoni [1994] 2000; Gunning [1986] 2006).'

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