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Creator (Definite): Stephen JacynaDate: 1982
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Cited by T. Quick, 'Disciplining Physiological Psychology: Cinematographs as Epistemic Devices, 1897-1922', Science in Context 30 (4), pp. 423-474.
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'The first part thus examines Bergson’s cinematographic characterization of mechanism, along with the ‘vital’ evolution to which he opposed it. It considers the relevance of this opposition to Sherrington’s physiological science, thereby examining the interaction between mechanical, vital, and physical modes of explanation in physiological psychology at this time (Young [1970] 1990; Smith 1973; Daston 1978; Jacyna 1981).'